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"And Can It Be That I Should Gain?" is a Christian hymn written by Charles Wesley in 1738 to celebrate his conversion, which he regarded as having taken place on 21 May of that year. [1] The hymn celebrates personal salvation through the death and resurrection of Jesus , and is one of the most popular Methodist hymns today.
Over a bossa nova-inspired instrumental with minimal percussion composed of snaps and muffled kick drums, [1] [2] Jack Harlow addresses his lover and her mother, [2] [3] [4] delivering a message to the latter in the chorus: "Hello, Miss Johnson, you know why I'm callin' / You know I've been fallin', fallin' for your daughter / I think about her often, correct mе if I'm wrong, but / Was it you ...
Hello Central give me heaven For my mama's there You can find her with the angels on the golden stair She'll be glad it's me who's speaking call her, won't you please For I want to surely tell her We're so lonely here When the girl received this message Coming o'er the telephone How her heart thrilled in that moment And the wires seemed to moan
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"Hello Muddah, Hello Fadduh! (A Letter from Camp) " is a novelty song recorded by Allan Sherman released in 1963. The melody is taken from the ballet Dance of the Hours from the opera La Gioconda by Amilcare Ponchielli , while the lyrics were written by Sherman and Lou Busch .
"No Pain, No Gain" [a] is a song written, [1] co-produced [1] and performed by American contemporary R&B singer Betty Wright; issued as the lead single from her twelfth studio album Mother Wit. The song peaked at #14 on the Billboard R&B chart in 1988.
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"Hello Central! Give me No Man's Land, My daddy's there, my mamma told me; She tip-toed off to bed After prayers were said; Don't ring when you get the number, Or you'll disturb mamma's slumber I'm afraid to stand here at the 'phone Cause I'm alone. So won't you hurry; I want to know why mama starts to weep When I say, 'Now I lay me down to sleep';