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  2. 9 Classic Paint Colors Designers Love For Interior Doors

    www.aol.com/9-classic-paint-colors-designers...

    This contrast against neutral walls adds instant elegance," says Storms, who reaches for the classic Benjamin Moore Black 2132-10. Storms recommends that when painting a door black, leave the trim ...

  3. Scottish Renaissance painted ceilings - Wikipedia

    en.wikipedia.org/wiki/Scottish_Renaissance...

    Scottish renaissance painted ceilings are decorated ceilings in Scottish houses and castles built between 1540 and 1640. This is a distinctive national style, though there is common ground with similar work elsewhere, especially in France , Spain and Scandinavia . [ 1 ]

  4. Medallion (architecture) - Wikipedia

    en.wikipedia.org/wiki/Medallion_(architecture)

    A medallion is a round or oval ornament [1] that frames a sculptural or pictorial decoration in any context, but typically a façade, an interior, a monument, or a piece of furniture or equipment. Ancient Roman round versions are called an imago clipeata, from the clipeus or Roman round shield.

  5. Adam style - Wikipedia

    en.wikipedia.org/wiki/Adam_style

    Grand Neoclassical interior by Robert Adam, Syon House, London Details for Derby House in Grosvenor Square, an example of the Adam brothers' decorative designs. The Adam style (also called Adamesque or the Style of the Brothers Adam) is an 18th-century neoclassical style of interior design and architecture, as practised by Scottish architect William Adam and his sons, of whom Robert (1728 ...

  6. Category:Ornaments (architecture) - Wikipedia

    en.wikipedia.org/wiki/Category:Ornaments...

    Architectural ornaments — decorative architectural elements The main article for this category is Ornament (architecture) . See also: Architectural sculpture , Classical orders , and classical architecture

  7. Ornament (art) - Wikipedia

    en.wikipedia.org/wiki/Ornament_(art)

    Furthermore, architectural ornament can serve the practical purpose of establishing scale, signaling entries, and aiding wayfinding, and these useful design tactics had been outlawed. And by the mid-1950s, modernist figureheads Le Corbusier and Marcel Breuer had been breaking their own rules by producing highly expressive, sculptural concrete work.