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Their leaves are small and simple, from 1 to 10 cm in length depending on the species. Their flowers have four sepals and four petals, usually white, pink, or red, and are often spotted or streaked. Their fruit are elongated, cylindrical pods, usually 4-grooved or 8-grooved, and when mature they hold many tiny, cubical seeds.
The borders are created with interlocked weft technique either with coloured silk or zari. In the border woven with a zari, ground coloured silk patterns are added as supplementary weft inlay against the zari usually in the form of flower or a creeping vine. Two types of border are the Narali and the Pankhi.
Τypographic ornament in ancient city of Kamiros in Rhodes island, Greece. Flower decorations are among the oldest typographic ornaments. A fleuron can also be used to fill the white space that results from the indentation of the first line of a paragraph, [4] on a line by itself to divide paragraphs in a highly stylized way, to divide lists, or for pure ornamentation. [5]
The flower has a long-tubed, pale perianth, which fully expands at night. This flower will then release a sweet fragrance, that contains acyclic terpenoid alcohol, linalool and abundant nectar, that attracts pollinators to it. [10] A. belladonna seeds are soft and fleshy, and appear white or pinkish.
The patterns include motifs of animals, birds, human forms, flowers, diamond, and celestial phenomenon. These indigenous patterns are woven by tribal and nontribal Weavers. The motifs are known as phul. The bright-hued diamond motifs representing fine workmanship is a typical and traditional feature of the textiles of Assam.
Flower color is another important feature of both the herbaceous border and the mixed border that includes shrubs as well as herbaceous plants. Flower gardens are sometimes tied in function to other kinds of gardens, like knot gardens or herb gardens, many herbs also having decorative function, and some decorative flowers being edible.
Saris are distinguished by their wide contrast borders. Temple borders, checks, stripes and floral (buttas) are traditional designs found on a Kanchipuram saris. [8] The patterns and designs in the kanchipuram saris were inspired with images and scriptures in South Indian temples or natural features like leaves, birds and animals. [10]
The main image portrayed in Pichhwai paintings is Shrinathji.This 700+ years old form of Krishna, is the presiding deity worshipped at the Shrinathji Temple with many paintings showing the rituals and worship offered to the deity in the temple.