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Salah Asuhan is generally considered one of the most important works in modern Indonesian Literature and is commonly used as reading material in Indonesian literature classes. [2] Bakri Siregar wrote positively of Salah Asuhan, considering the diction unparalleled in its contemporaries and the characters well fleshed-out. [3]
From the late 1920s Muis shifted his focus from politics to creative writing, and in 1927 he initiated correspondence with the state-owned publishing house Balai Pustaka. [1] In his first novel, Salah Asuhan (Wrong Upbringing), published in 1928, Muis depicted the problem of racial and social discrimination in the tragic story of Hanafi and ...
However, it has also been called a sequel of Salah Asuhan. [4] Mahayana et al considered the use of language "convincing", with uneducated characters using a mix of Betawi and Malay words. As a result, they consider it a result of Muis' observations while living in Batavia. [5] Bakri Siregar considered Pertemuan Jodoh "much weaker" than Salah ...
Uncommonly for Indonesian literature during this time period, Belenggu 's chapters were labelled with only a number – other works, such as Abdul Muis' 1928 novel Salah Asuhan (Wrong Upbringing), gave both a number and subtitle to the chapters. According to Taum, this change in style represents a stream of consciousness, as opposed to the ...
Teeuw described Marah Roesli's Sitti Nurbaya (1923) as the first true Indonesian novel, as the earlier Azab dan Sengsara (Pain and Suffering; 1920) by Merari Siregar was less developed. [10] He wrote that Sitti Nurbaya , Abdul Muis ' Salah Asuhan ( Wrong Upbringing ; 1928), and Sutan Takdir Alisjahbana 's Layar Terkembang ( With Sails Unfurled ...
Two main themes are prevalent in the novel, namely forced marriage and marriage for love. Similar to Indonesian-language works published during the period, such as Marah Rusli's Sitti Nurbaya (1922) and Abdul Muis' Salah Asuhan (Wrong Upbringing; 1927), Nemoe Karma depicts forced marriages as ending unhappily.
Sutan Takdir Alisjahbana's short novel Layar Terkembang ("The Sail Unfolds") is a sensitive portrayal of young women in contemporary Indonesia. Rustam Effendi with his Bebasari wrote the first modern play (on a historical theme).
He is famous for his novel Sitti Nurbaya, which tells the story of a teenage girl who was forced to marry a man much older than herself to recompense his father's debt. Like other Minangkabau authors, such as Hamka , Ali Akbar Navis , and Abdul Muis , his novels centre on the theme of the increasingly bankrupt Minangkabau culture.