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Film stock made of nitrate, acetate, or polyester bases is the traditional medium for capturing the numerous frames of a motion picture, widely used until the emergence of digital film in the late 20th century. film theory film transition film treatment filmmaking. Sometimes used interchangeably with film production.
Studying the neuroscience of film is based on the hypothesis that some films, or film segments, lead viewers through a similar sequence of perceptual, emotional and cognitive states. Using fMRI brain imaging, researchers asked participants to watch 30 minutes of The Good, the Bad and the Ugly (1966) as they lay on their backs in the MRI scanner ...
By contrast, in the United States, movie is the predominant term for the medium. Although the words film and movie are sometimes used interchangeably, film is more often used when considering a work's artistic, theoretical, or technical aspects. The term movie more often refers to a work's entertainment or commercial aspects.
For example, John Donne and the metaphysical poets developed the conceit as a literary device, where an elaborate, implausible, and surprising analogy was demonstrated. In Renaissance poetry, and particularly in sonnets, the contrast was similarly used as a poetic argument. In such verse, the entire poem argues that two seemingly alike or ...
Formalist film theory is an approach to film theory that is focused on the formal or technical elements of a film: i.e., the lighting, scoring, sound and set design, use of color, shot composition, and editing. This approach was proposed by Hugo Münsterberg, Rudolf Arnheim, Sergei Eisenstein, and Béla Balázs. [1]
Mise en abyme is not restricted to a specific kind of literature or art. The recursive appearance of a novel within a novel, a play within a play, a picture within a picture, or a film within a film form mises en abyme that can have many different effects on the perception and understanding of the literary text or work of art.
Soviet montage theory is an approach to understanding and creating cinema that relies heavily upon editing (montage is French for 'assembly' or 'editing'). It is the principal contribution of Soviet film theorists to global cinema, and brought formalism to bear on filmmaking.
In cinematography and photography, flashing is the exposure of the film or digital sensors to uniform light prior to exposing them to the scene. [1] [2] It is used as a method of contrast control to bring out detail in darker areas. This adds a bias to the overall light input recorded by the sensor.