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Against the Sun is a 2014 American survival drama film. Based on a true story from World War II, the film was written, produced, and directed by Brian Falk and starred Garret Dillahunt, Tom Felton, and Jake Abel. The film was released via video on demand on January 23, 2015.
Sunset is unaware that Sam Webster, his partner in the ranch, is plotting against him. Later, Sunset breaks up a fight between Ralph Murdock, one of Webster's cronies, and The Kid and fires Murdock. Meanwhile, Sunset, who is on a committee to raise funds for a school building, promotes a boxing match between an itinerant fighter Slugger and his ...
The Last Sunset is a 1961 American Western film directed by Robert Aldrich and starring Rock Hudson, Kirk Douglas, and Dorothy Malone. The film was released by Universal Pictures and shot in Eastmancolor in Mexico. The screenplay by Dalton Trumbo was adapted from Howard Rigsby's 1957 novel Sundown at Crazy Horse.
The film attempts to capture the essence of the period around the Sunset Strip riot, and also adds a subplot that revolves around a young girl's troubled relationship with her divorced parents. Her dosage with LSD by a would-be seducer, the subsequent ' acid trip ' she experiences, and her later discovery by a police sergeant as the victim of ...
Maciste against the Sheik; Maciste all'inferno (1925 film) Maciste alla corte del Gran Khan; Maciste and Prisoner 51; Maciste and the Chinese Chest; Maciste and the Javanese; Maciste and the Silver King's Daughter; Maciste, the Avenger of the Mayans; Maciste in King Solomon's Mines; Maciste in the Lion's Cage; Maciste the Athlete; Maciste the ...
Sunset earned predominately negative reviews from critics and the public alike. Most reviewers noted that Garner's screen presence was the only thing that made the film watchable. Hal Hinson in his review for The Washington Post contrasted the impact of the two male stars: "Ultimately, Sunset plays like deluxe dinner theater fare. It's a ...
Jim Wynorski bought the script for Sunset Films, a company he was operating with Andrew Stevens for Cinetel Films. Mitchell said he thought the film "ultimately turned out to be one of Jim’s best movies, but there are a lot of things I’m not happy with. The casting was a lot of it." [2]