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Thomas A. Dorsey was born in Villa Rica, Georgia, the first of three children to Thomas Madison Dorsey, a minister and farmer, and Etta Plant Spencer.The Dorseys sharecropped on a small farm, while the elder Dorsey, a graduate of Atlanta Bible College (now Morehouse College), traveled to nearby churches to preach.
Say Amen, Somebody gives an overview of the history of gospel music in the U.S. by following two main figures: Thomas A. Dorsey, considered the "Father of Gospel Music," 83 at the time of filming, recalls how he came to write his most famous song, "Take My Hand, Precious Lord" (1932), and the difficulty he faced introducing gospel blues to black churches in the early 1930s.
Labeled "one of the most important gospel singers of the century" by The New York Times, Smith is considered a pioneer in the same vein as Thomas A. Dorsey, the "Father of Gospel Music". [15] While Dorsey wrote 1,000 gospel songs and set standards for gospel choirs, Smith created the "openly emotional and spiritually exuberant performance style ...
Martin was a successful artist in her own right, forming the Sallie Martin Singers, in which her daughter Cora Martin-Moore, Dinah Washington, then known as Ruth Jones, and Brother Joe May were featured, in 1940 after a dispute with Dorsey. She started her own publishing house, Martin and Morris Music, Inc., with Kenneth Morris (August 28, 1917 ...
Thomas A. Dorsey historical marker. THOMAS A. DORSEY Father of Gospel Thomas Andrew Dorsey, composer of over 400 blues and gospel songs, lived here following his birth in Villa Rica on July 1, 1899. At Mt. Prospect Baptist Church he was exposed to shape-note singing and at home learned to play a used pump organ, experiences he said "sprang" his ...
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Tommy Dorsey (1905–1956), bandleader and jazz trombone player; Thomas A. Dorsey (1899–1993), gospel composer and performer, known as Georgia Tom in his earlier jazz career; Thomas Beale Dorsey (1780–1855), American politician and judge in Maryland; Dan Hornsby (1927-1939), recording artist who briefly used the pseudonym Tom Dorsey
What most African Americans would identify today as "gospel" began in the early 20th century. The gospel music that Thomas A. Dorsey, Sallie Martin, Willie Mae Ford Smith and other pioneers popularized had its roots in the blues as well as in the more freewheeling forms of religious devotion of "Sanctified" or "Holiness" churches—sometimes called "holy rollers" by other denominations — who ...