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Matthew Bourne's Swan Lake is a contemporary ballet based on the Russian romantic work Swan Lake, from which it takes the music by Tchaikovsky and the broad outline of the plot. Bourne's rendering is best known for having the traditionally female parts of the swans danced by men. It was the longest-running ballet in London's West End and on ...
Matthew Bourne is best known for his unique re-imaginings of traditional ballet, such as his 1995 production of Swan Lake, where he replaced the traditionally female corps-de-ballet with a male ensemble. [49] Swan Lake (Bourne) went on to be the longest-running ballet in London's West End and New York City's Broadway. [50]
Etta Jane Bertschinger MBE (née Murfitt; born 29 July 1966) is a British dancer, choreographer and the associate director of the New Adventures educational strand. [1] She has worked for Matthew Bourne for over 20 years in a variety of different roles.
Swan Lake: 1996 Win Outstanding Achievement in Dance (Lez Brotherston - Set Design & Costume) Cinderella: 1998 Win Outstanding Achievement in Dance (Matthew Bourne - Concept and Dramatisation) The Car Man: 2001 Nomination Best Lighting Design (Paule Constable) Play Without Words: 2003 Nomination Best Entertainment Play Without Words: 2003 Win
‘Our Mighty Groove’ opens at Sadler’s Wells East on 6 February. 20,000 tickets are available for £25 or under, as well as £10 Barclays Dance Pass tickets for 16-30-year-olds for every ...
Matthew Bourne, the creator of the dance adaptation of Edward Scissorhands, during the Australian tour in 2008. Bourne's all-male 1995 version of Swan Lake has become the longest-running ballet production and earned him the distinction as the only British director to become a winner of both the Tony Award for Best Direction of a Musical and the Tony Award for Best Choreography at the 53rd Tony ...
In 1989 Cooper joined the Royal Ballet and was quickly promoted to First Artist and Soloist in 1991, First Soloist 1993 and Principal Dancer in 1994. [16] [17] He was recognized for his performances in the classic as well as dramatic and contemporary ballet works, and he excelled in playing cruel but sexy villains.
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