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Faux painting became popular in classical times in the forms of faux marble, faux wood, and trompe-l'œil murals. Artists would apprentice for 10 years or more with a master faux painter before working on their own. Great recognition was awarded to artists who could actually trick viewers into believing their work was the real thing.
It is typically used in buildings where the cost or weight of genuine marble would be prohibitive. Faux marbling is a special case of faux painting used to create the distinctive and varied patterns of marble - the most imitated stone by far. Faux painting by Andre' Martinez in the Colorado State Capitol 2005 Giotto, Scrovegni Chapel.
There, faux marble columns are made from wood pillars that are covered in a layer of polychrome stucco, a mixture of plaster, lime, and pigment. When these ingredients are mixed, a homogenous-coloured paste is created. To achieve the marble look, thinner batches of darker and lighter paste are made, so that veins begin to appear.
Most exterior veneer systems hang stone from a support wall by pins and anchors allowing air space between, essentially using stone as a rain screen. Anchorage systems are superior for exterior use because they permit any water that permeates the veneer to escape, while air space allows the materials of the supporting substrate wall to expand ...
The same term identifies the technique for producing columns, sculptures, and other architectural elements that resemble inlays in marble. [1] The scagliola technique came into fashion in 17th-century [2] Tuscany as an effective substitute for costly marble inlays, the pietra dura works created for the Medici family in Florence. The use of ...
Terrazzo is a composite material, poured in place or precast, which is used for floor and wall treatments. It consists of chips of marble, quartz, granite, glass, or other suitable material, poured with a cementitious binder (for chemical binding), polymeric (for physical binding), or a combination of both. Metal strips often divide sections ...