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Village Church in Autumn (1920), watercolour painting by the Grand Duchess. Olga began drawing and painting at a young age. She told her official biographer Ian Vorres: Even during my geography and arithmetic lessons, I was allowed to sit with a pencil in my hand. I could listen much better when I was drawing corn or wild flowers. [120]
Countess Orlova was a patron of the Italian artist Cosroe Dusi, who came to Saint Petersburg in 1840. According to him, she was incredibly kind, worrying about orders and arranging patronage. [15] In the same year, Olga Alexandrovna received the court title of state lady. [16] In 1856, she, her husband, and her son were raised to the rank of ...
Countess Rosalia Alexandrovna Rzhevuskaya: 1788–1865 Married Count Wacław Seweryn Rzewuski: 30 30 June 1847 Baroness Cecilia Vlasislavovna Fredereeks: 1794–1851 Married Baron Pyotr Andreevich Fredereeks 31 30 June 1847 Countess Olga Alexandrovna Orlova: 1807–1880 Married Count Alexey Fyodorovich Orlov in 1826
Maria vehemently opposed her daughter Olga Alexandrovna meeting with the imposter, which Olga did in 1925. [73] Olga came to the conclusion Schanzkowska was an imposter, noting afterwards in a letter to former adjunct Anatole Mordvinov that Maria Feodorvovna "isn't interested at all" in the imposter and the dowager empress "opposed my trip, but ...
In the autumn of 1907, Maria's aunt Grand Duchess Olga Alexandrovna of Russia was escorted to the nursery by the Tsar to meet Rasputin. Maria, her sisters and brother Alexei were all wearing their long white nightgowns. "All the children seemed to like him," Olga Alexandrovna recalled. "They were completely at ease with him." [36]
Olga Aleksandrovna Schor (Russian: Ольга Александровна Шор, also known as Olga Deschartes, 1894-1978) was an art and literary historian. She was also the companion of poet, writer and philosopher Vyacheslav Ivanovich Ivanov during his Italian exile .
In 1925, the Tsar's sister, Grand Duchess Olga Alexandrovna of Russia, asked Gilliard and his wife to investigate the case of Anna Anderson, who claimed to be Grand Duchess Anastasia. [9] On 27 July 1925, the Gilliards saw Anderson at St. Mary's Hospital in Berlin, where Anderson was being treated for a tubercular infection of her arm. Anderson ...
She stayed in St Petersburg working as royal artist for ten years, although portraits of the imperial daughters-in-law were rejected in 1849. One of the sitters, Grand Duchess Maria Alexandrovna later commissioned Robertson to paint her and her children, and the Empress chose her to paint an updated portrait of herself, in 1852. [2]