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Roman head of a Dacian of the type known from Trajan's Forum, AD 120–130, marble, on 18th-century bust. The Dacians (/ ˈ d eɪ ʃ ən z /; Latin: Daci; Ancient Greek: Δάκοι, [1] Δάοι, [1] Δάκαι [2]) were the ancient Indo-European inhabitants of the cultural region of Dacia, located in the area near the Carpathian Mountains and west of the Black Sea.
Piece of music, usually for a singer Aria di sorbetto: sorbet air: A short solo performed by a secondary character in the opera Arietta: little air: A short or light aria Arioso: airy A type of solo opera or operetta Ballabile: danceable (song) to be danced to Battaglia: battle: An instrumental or vocal piece suggesting a battle Bergamasca ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [3] [4] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
The Ancient Greek Istros was a borrowing from Thracian/Dacian meaning "strong, swift", akin to Sanskrit is.iras "swift". [64] Maris, Marisos Mureș ...
Dacian may refer to: of or relating to Dacia in southeastern Europe Dacians, the ancient Indo-European inhabitants of the cultural region of Dacia; Dacian language;
Both Georgiev and Duridanov use the comparative linguistic method to decipher ancient Thracian and Dacian names, respectively.. Georgiev argues that one can reliably decipher the meaning of an ancient place-name in an unknown language by comparing it to its successor-names and to cognate place-names and words in other IE languages, both ancient and modern.