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The wax will "resist" the dye, and after it is removed there will be a pattern in two colours. Batik, shibori and tie-dye are among many styles of resist dyeing. [3] [4] Wax or grease can also be used as a resist in pottery, to keep some areas free from a ceramic glaze; the wax burns away when the piece is fired. [5]
Raku is a unique form of pottery making; what makes it unique is the range of designs that can be created by simply altering certain variables. These variables—which include wax resist, glazes, slips, temperature, and timing [16] —ultimately determine the outcome when firing a piece of clay.
In pottery these are used to produce plastic clay body from a slip. Invariably the output from a press, called filter cakes, are then fed into pugs for de-airing and extrusion. Fine Fireclay A semi-vitreous ceramic used for very large pieces of sanitaryware. Despite the name most formulations do not use fireclay, but all use some chamotte.
Rōketsuzome printing wheels at Roketsuzome Yamamoto, Kyoto. Rōketsuzome (Japanese: 蝋纈染め) sometimes shortened to rōzome (ろう染め), is a traditional wax-resist textile dyeing technique in Japan, akin to Indonesian batik.
Batik is a dyeing technique using wax resist. The term is also used to describe patterned textiles created with that technique. Batik is made by drawing or stamping wax on a cloth to prevent colour absorption during the dyeing process. This creates a patterned negative when the wax is removed from the dyed cloth.
Pottery techniques include the potter's wheel, slip casting and many others. Methods for forming powders of ceramic raw materials into complex shapes are desirable in many areas of technology. For example, such methods are required for producing advanced, high-temperature structural parts such as heat engine components, recuperators and the ...
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Vase with unglazed medallions, here using moulds and a resist technique, 14th century. [1] Group of 13th-century vessels. Longquan celadon (Chinese: 龙泉青瓷) is a type of green-glazed Chinese ceramic, known in the West as celadon or greenware, produced from about 950 to 1550.