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When I go to milk the cow. Raised on corn 'way down in Indiana, So was ev'ry little hen. I was mighty happy then; Wish that I were back a-gain: CHORUS: In a little red barn on a farm down in Indiana, Let me lay my back on a stack of new mown hay. 'Round the barnyard where the farmyard folks are pally, Let me dilly-dally all the live-long day.
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement.Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition.
The "Yellow Dog" was the local name for the Yazoo Delta Railroad; the "Southern" is the much larger Southern Railway. "Yellow Dog Blues" has been recorded a number of times, mostly as an instrumental, and has become a traditional jazz standard .
Instead of extending the first section, one adaptation extends the third section. Here, the twelve-bar progression's last dominant, subdominant, and tonic chords (bars 9, 10, and 11–12, respectively) are doubled in length, becoming the sixteen-bar progression's 9th–10th, 11th–12th, and 13th–16th bars, [citation needed]
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
"Three Chords and the Truth", an oft-quoted phrase coined by Harlan Howard in the 1950s which he used to describe country music; Three Chords and the Truth, a 1997 book by Laurence Leamer about the business and lifestyle of country music and its many stars; Three Chords & the Truth, a radio show hosted by Duff McKagan and Susan Holmes McKagan.
The ii–V–I progression ("two–five–one progression") (occasionally referred to as ii–V–I turnaround, and ii–V–I) is a common cadential chord progression used in a wide variety of music genres, including jazz harmony.
"Going Back to Oklahoma" – Emily Kaitz, 1998. [82] "Going Out to Tulsa" – written by C. E. Daniels, recorded by Johnny Seay, 1968. [83] "Going to Scotland" – The Mountain Goats, 1996. [84] "Good Old Oklahoma" – written by Bob Wills and Tommy Duncan, lead singer with Bob Wills and the Texas Playboys, and recorded by them in 1935.