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Eopsin (Korean: 업신; Hanja: 業神) is the goddess of the storage and wealth in Korean mythology and shamanism. She is one of the Gasin , or deities that protect the house. However, unlike other Gasin, who were believed to embody pots, paper, and other inanimate objects, Eopsin is special in that she appears in an animal form.
Korean mythology (Korean: 한국 신화; Hanja: 韓國神話; MR: Han'guk sinhwa) is the group of myths [a] told by historical and modern Koreans.There are two types: the written, literary mythology in traditional histories, mostly about the founding monarchs of various historical kingdoms, and the much larger and more diverse oral mythology, mostly narratives sung by shamans or priestesses ...
Paemshillang: Kurŏngdŏngdŏngshinsŏnbi (Korean: 뱀신랑: 구렁덩덩신선비; RR: Baemsillang: Gureongdeongdeong sinseonbi; lit. The Snake Husband: The Divine Serpent Scholar) is a Korean folktale about a woman married to a snake (baem) who breaks a promise with her husband (sillang) and conquers adversity to reunite with him. [1]
She is then put in a box and tossed into the water and lands on the Jeju shore. She is turned into a snake and gives birth to seven snake daughters, the seventh daughter hides under a chilsong in the yard and becomes the outdoor snake goddess and her mother becomes the indoor snake goddess. They are the protectors of grains. [34]
In Korean mythology, the goddess Eobshin was the snake goddess of wealth, as snakes ate rats and mice that gnawed on the crops. The Horned Serpent appears in the mythologies of many Native Americans. [26] Details vary among tribes, with many of the stories associating the mystical figure with water, rain, lightning and thunder.
Snake massages, recently made famous by Victoria Secret model Stella Maxwell, has boa constrictors slithering across your entire body while you lie flat on a massage table. Serpentessa, the snake ...
Eopsin (업신; 業神) is the goddess of the storage and wealth in Korean mythology and shamanism. She is one of the Gasin , or deities that protect the house. However, unlike other Gasin, who were believed to embody pots, paper, and other inanimate objects, Eopsin is special in that she appears in an animal form.
This exploration of being a stranger in a strange new world is part of a new creative direction that is moving her away from processing the difficult feelings she had as a young woman in South Korea.