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In an interview with guitarist Eddie Van Halen, he said the song was musically inspired by AC/DC's straightforward three chord rock style. During the bridge of the song where Roth says "I can barely see the road from the heat comin' off," Eddie Van Halen can be heard revving his 1972 Lamborghini Miura S in the background. [9]
"Ain't Talkin' 'bout Dub" is a song by English electronic music group Apollo 440. It was released in February 1997 by Stealth Sonic and Sony Records as the second single from their second studio album, Electro Glide in Blue (1997). Successful on the charts in Europe, it peaked at number one in Romania and within the Top 10 in Denmark, Finland ...
Electro Glide in Blue is the second studio album by English electronic music group Apollo 440.It was first released on 3 March 1997 in the United Kingdom by Stealth Sonic Recordings and Epic Records and on 9 September 1997 in the United States by 550 Music.
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Apollo 440 (also known as Apollo Four Forty or @440) are an English electronic music group formed in Liverpool in 1990. [1] The group has written, recorded, and produced five studio albums, collaborated with and produced other artists, remixed as Apollo 440 and as ambient cinematic alter-ego Stealth Sonic Orchestra, and created music for film, television, advertisements and multimedia.
"Ain't Talkin' 'bout Love" is a song by American rock band Van Halen. It was released in September 1978 as the fourth US single from their 1978 debut album, Van Halen. This song is one of the few David Lee Roth-era songs that subsequent replacement Sammy Hagar was willing to sing in concert when he joined the band in the mid-1980s.
Gettin' High on Your Own Supply is the third studio album by English electronic music group Apollo 440. It was released on 6 September 1999 in the United Kingdom by Stealth Sonic Recordings and Epic Records and in the United States by 550 Music .
A 2011 Rolling Stone reader's poll placed the song at number one on a list of the 10 best Van Halen songs. [3]Chuck Klosterman of Vulture.com named it the second-best Van Halen song, writing that it "merely feels like insatiable straight-ahead rock, but the lick is freaky, obliquely hovering above the foundation while the drums oscillate between two unrelated performance philosophies."