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Ramblin' Gamblin' Man is the first studio album by American rock band the Bob Seger System, released in 1969. The original title was Tales of Lucy Blue , hence the cover art. In the liner notes, Bob Seger says (sarcastically) he later realized Lucy Blue was "Ramblin' Gamblin' Man", and so changed the title of the album.
Fashion Week is an instrumental album [1] by experimental hip hop group Death Grips. It was self-released, available for free, on January 4, 2015, via Third Worlds, without any prior announcement. [ 2 ]
With the single exception of 1972's Smokin' O.P.'s, re-released on CD with remastered sound by Capitol in 2005, all of Seger's albums prior to 1975's Beautiful Loser (the pre-Silver Bullet Band releases) have long remained out of print. The albums Ramblin' Gamblin' Man (1969), Mongrel (1970) and Seven (1974) were briefly available on CD in 1993.
"Ramblin' Gamblin' Man" is a song by the American rock band the Bob Seger System, and written by its leader Bob Seger. The song was originally released as a single in October 1968, then as a track on the album Ramblin' Gamblin' Man in April 1969. The single fared well, reaching No. 17 on the national charts.
Included are the original mono version of "Ramblin' Gamblin' Man", Seger's first hit with The Bob Seger System from 1968, the classic Christmas song "The Little Drummer Boy" from 1987's A Very Special Christmas, which makes its first appearance on a Seger album, and previously unreleased cover versions of Tom Waits' "Downtown Train" and Little ...
Released as a single in December 1976, it reached number four on the Billboard Hot 100, becoming Seger's first hit single since "Ramblin' Gamblin' Man" from 1969. It also charted at number five in Canada and was a top 25 hit in Australia. The song changed Seger from a popular regional favorite to a national star.
Self-consciously nerdy in an era of scuzzy post-grunge bluster, 1994's crisp and witty "Weezer" — soon to be known as the Blue Album because of its cover (and the fact that the band kept naming ...
With a slightly more commercial sound than some of his recent records, The Ramblin' Man remained true to Jennings' outlaw country image and uncompromising musical vision. . The album, which was recorded at Glaser Sound Studios, was released at what was still considered to be the height of the outlaw movement in country music, and this was reflected in its chart success, with the LP peaking at ...