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The process involves the digital removal of dirt, scratches, fingerprints, discolorations, molds, tape marks, and other damages in the scanned materials. The process also involves the correction of color, brightness, and contrast into its original form often consulting the original cinematographers of each films whenever possible.
This is a list of online newspaper archives and some magazines and journals, including both free and pay wall blocked digital archives. Most are scanned from microfilm into pdf, gif or similar graphic formats and many of the graphic archives have been indexed into searchable text databases utilizing optical character recognition (OCR) technology.
The cornerstone of digital preservation, "data integrity" refers to the assurance that the data is "complete and unaltered in all essential respects"; a program designed to maintain integrity aims to "ensure data is recorded exactly as intended, and upon later retrieval, ensure the data is the same as it was when it was originally recorded".
ABS-CBN Film Restoration Project was a digital film restoration and remastering project of ABS-CBN Film Archives in partnership with Central Digital Lab. The goal of the project was to digitally restore and remaster select films in the archives of ABS-CBN. As of 2015, the project restored and remastered over 100 films.
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Technology preservation (also called computer museum) and digital archeology respectively involve institutions maintaining possession or access to legacy hardware and software platforms, and the salvaging methods employed to recover digital information from damaged or obsolete media and devices. [4]
The Digital Preservation Coalition (est. 2001) [2] is a non-profit organization which seeks to secure the preservation of digital resources. DSpace is an open source software that essentially takes data in multiple formats (text, video, audio, or data), distributes it over the web, indexes the data (for easy retrieval), and preserves the data ...
The primary goal for Planets was to build practical services and tools to help ensure long-term access to digital cultural and scientific assets. The outputs of this European Sixth Framework Programme are, since 2010, sustained by the follow-on organisation, the Open Planets Foundation.