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The interior reflects the Queen Anne style with an asymmetrical floor plan. Through the front doors is a large entry hall. The interior includes stained and etched glass windows, plaster corbels and arches. The fireplace is decorated in a flower motif of oak with a faux marble painted soapstone enclosure. Door lights are made of engraved glass. [4]
There are many interior and exterior applications for acid-etched glass. Acid-etched glass is widely used for: Enhancing every area where glass can be used and where a little privacy and natural light is desired; Creating feature walls or partitions. Enriching doors and windows; Heightening the look of balustrades; Augmenting shower and bath ...
Interior: sumptuous decorative schemes - tripartite etched glass vestibule door; stair hall and corridor, scagliola Corinthian columns; coffered ceiling, modillioned cornice; heavy decorative cornice, paired brackets.
McGrath was particularly interested in the architectural and decorative use of glass, writing several articles for the Architectural Review in the 1930s, and in 1937 publishing the highly influential book Glass in Architecture and Decoration. Some of his 1934 etched glass doors can still be seen at RIBA's headquarters in Portland Place, London. [5]
On the exterior, the building features decorative woodwork on the corner boards and above the windows and central doorway on the main facade. Historical photographs indicate that the central doorway, with its original etched glass door intact, never had a bridge or stairway leading to it.
The central entrance arch cuts the podium and houses intricately carved hardwood doors and a stained-glass fanlight protected by decorative wrought iron railings. Bays 1 and 3 both consist of paired arches, located above the podium and articulated in an ionic pilaster order. Each arch-window houses folding jalousie shutters. [2]: 3