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Myriad Arabic was designed by Robert Slimbach, with the help of Adobe's technical team as well as outside Arabic experts. The principal outside consultant was Dr. Mamoun Sakkal. [13] Five weights of Myriad Arabic (which include Latin-alphabet characters) were licensed by Apple for inclusion with macOS, but must be manually enabled by the user. [14]
Charter (Roman, Italic, Bold, Bold Italic, Black, Black Italic) DIN (Alternate Bold, Condensed Bold) Hiragino Kaku Gothic StdN W8; InaiMathi (Bold) Kai (Regular) Kaiti SC (Regular, Bold, Black) Myriad Arabic (Semibold) Noto Nastaliq Urdu; Rockwell (Regular, Italic, Bold, Bold Italic) STIX Two Math; STIX Two Text (Regular, Italic, Bold, Bold Italic)
Arial (Used in English, Arabic, Hebrew and other languages) [2] Avory (Cyrillic, Greek, Latin) Awami Nastaliq features a more extensive character set than most Nastaliq typefaces, supporting: Urdu , Balochi , Farsi ( Iranian Persian ), Khowar, Palula, Saraiki, Shina.
The Public Type or PT Fonts are a family of free and open-source fonts released from 2009 onwards, comprising PT Sans, PT Serif and PT Mono.They were commissioned from the design agency ParaType by Rospechat, a department of the Russian Ministry of Communications, to celebrate the 300th anniversary of Peter the Great's orthography reform and to create a font family that supported all the ...
Baskerville's type featured text figures or lower-case numbers, the only form of Arabic numerals in use at the time (Roman numerals would be used to align with the capitals). [19] [29] The capitals are very bold, and (like Caslon's) have been criticised for being unbalanced to the lower-case at large sizes.
[8] [9] Sol Hess designed a bold design in the same style. [10] Badr is an Arabic font from Linotype by Osman Husseini which uses Cochin for its Latin alphabet. [11] Cochin had a display open-face companion, with an empty space in the middle of the letter, named Moreau-le-jeune. [12] This was sold as "Caslon Open Face" in the United States. [13]
The STIX Fonts project or Scientific and Technical Information Exchange (STIX), is a project sponsored by several leading scientific and technical publishers to provide, under royalty-free license, a comprehensive font set of mathematical symbols and alphabets, intended to serve the scientific and engineering community for electronic and print publication.
The Type Directors Club (TDC) is an international organization devoted to typography and type design, founded in 1946 in New York City. TDC believes that type drives culture, and that culture drives type—and is dedicated to cataloging, showcasing, and exhibiting typography worldwide.