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Detail of the painting The Procuress (c. 1656), proposed self portrait by Vermeer [1] The following is a list of paintings by Johannes Vermeer (1632–1675), a Dutch Golden Age painter. After two or three early history paintings, he concentrated almost entirely on genre works, typically interiors with one or two figures. Vermeer's paintings of ...
Van Ruijven was a native of Delft and only eight years Vermeer's senior. He may have been introduced to Vermeer by his brother, Jan van Ruijven, the notary who documented Vermeer's marriage to Catharina Bolnes. [19] It is known for certain, however, that in 1657 van Ruijven lent Vermeer 200 guilders. He left 500 guilders in his will for Vermeer ...
Johannes Vermeer (/ v ər ˈ m ɪər, v ər ˈ m ɛər / vər-MEER, vər-MAIR, Dutch: [joːˈɦɑnəs fərˈmeːr]; see below; also known as Jan Vermeer; October 1632 – 15 December 1675) was a Dutch painter who specialized in domestic interior scenes of middle-class life. He is considered one of the greatest painters of the Dutch Golden Age.
The painting's provenance before the mid-twentieth century is unknown. The collector Jacob Reder bought it at a minor auction house in New York in 1943. [3] It first received significant attention as a possible Vermeer when being shown as a part of an exhibition of Florentine Baroque art at the Metropolitan Museum of Art in New York in 1969.
The Avro 504 is a single-engine biplane bomber made by the Avro aircraft company and under licence by others. Production during World War I totalled 8,970 and continued for almost 20 years, [2] making it the most-produced aircraft of any kind that served in any military capacity during the First World War.
Until 1860, the painting was considered to have been painted by Vermeer's contemporary, Pieter de Hooch; Vermeer was little-known until the late 19th century. Hooch's signature was even forged on the painting. It was at the intervention of the German art historian Gustav Friedrich Waagen that it was recognised as a Vermeer original. [29] [30]
Of the two paintings in the background, the one on the right is The Procuress by Dirck Van Baburen (c. 1622), which belonged to Vermeer's mother-in-law, Maria Thins. The work also appears in his Lady Seated at a Virginal, probably painted some six years after The Concert. The painting on the left is a wild pastoral landscape.
Girl with a Pearl Earring (Dutch: Meisje met de parel) [1] [2] is an oil painting by Dutch Golden Age painter Johannes Vermeer, dated c. 1665. Going by various names over the centuries, it became known by its present title towards the end of the 20th century because of the earring worn by the girl portrayed there. [3]