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" Va, pensiero" (Italian: [ˈva penˈsjɛːro]), also known as the "Chorus of the Hebrew Slaves", is a chorus from the opera Nabucco (1842) by Giuseppe Verdi. It recollects the period of Babylonian captivity after the destruction of Solomon's Temple in Jerusalem in 586 BC.
Mesomedes of Crete (Ancient Greek: Μεσομήδης ὁ Κρής) was a Greek citharode and lyric poet and composer of the early 2nd century AD in Roman Greece.Prior to the discovery of the Seikilos epitaph in the late 19th century, the hymns of Mesomedes were the only surviving written music from the ancient world. [1]
Slave Songs of the United States was a collection of African American music consisting of 136 songs. Published in 1867, it was the first, and most influential, [ 1 ] [ 2 ] collection of spirituals to be published.
The music of ancient Rome was a part of Roman culture from the earliest of times. Songs ( carmen ) were an integral part of almost every social occasion. [ 1 ] The Secular Ode of Horace , for instance, was commissioned by Augustus and performed by a mixed children's choir at the Secular Games in 17 BC.
Frederick Douglass was an escaped slave and abolitionist author. In his 19th-century autobiography, Narrative of the Life of Frederick Douglass, an American Slave (1845), Douglass gives examples of how the songs sung by slaves had multiple meanings. His examples are sometimes quoted to support the claim of coded slave songs.
An African Song or Chant from Barbados is a one-page manuscript of a work song sung by enslaved Africans in the sugar cane fields of the Caribbean. [1] Dating from the late 18th century, it is the earliest known such song. [2] It is also the oldest notation of a piece of music from Barbados. [3]
Also, in the context of the Christmas games, carols using folk tunes or mixed-language reworking of Latin hymns and sequences like "In dulci jubilo" and the Quempas carol were sung. [6] Musically, these hymns move between Gregorian chant and folk song (three-tone melody, three-bar), so that sometimes they should be considered spiritual folk ...
This generated two distinctive African American slave musical forms, the spiritual (sung music usually telling a story) and the field holler (sung or chanted music usually involving repetition of the leader's line). [1] We Are Climbing Jacob's Ladder is a spiritual. [1] As a folk song originating in a repressed culture, the song's origins are lost.