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Maitland McDonagh from TV Guide gave the film 3/5 stars, commending the film's "creepy atmosphere and dark twist ending", while noting that the film had fewer shocks than its contemporaries. [5] Craig Butler from Allmovie praised the film, calling it "One of the best of the made-for-TV "horror" films that proliferated in the early 1970s".
Taken in a graveyard (naturally) Liv saw the crows tangled to each other's claws. Although we'd like to think they're holding claws like partners. The birds didn't even try to free themselves.
Strangers in Love is a 1932 American pre-Code comedy film directed by Lothar Mendes, written by Grover Jones, William J. Locke and William Slavens McNutt, and starring Fredric March, Kay Francis, Stuart Erwin, Juliette Compton, George Barbier, Sidney Toler and Earle Foxe. It was released on March 4, 1932, by Paramount Pictures. [1] [2]
The Strangers: Chapter 2 is an upcoming American horror film directed by Renny Harlin, and written by Alan R. Cohen and Alan Freedland. It stars Madelaine Petsch and is the fourth film in The Strangers film series. It is the second installment of a new trilogy of films, and the direct sequel to The Strangers: Chapter 1.
The Strangers: Chapter 1 picked up with Maya and Ryan traveling cross country while planning their future together. The pair later discussed the idea of marriage when Maya mentioned she was ready ...
Chappaqua is a 1967 American drama film, written and directed by Conrad Rooks.The film is based on Rooks' experiences with drug addiction and includes cameo appearances by William S. Burroughs, Swami Satchidananda, Allen Ginsberg, Moondog, Ornette Coleman, The Fugs, and Ravi Shankar.
Lovers and Other Strangers is a 1970 American romantic comedy film directed by Cy Howard, adapted from the 1968 Broadway play by Renée Taylor and Joseph Bologna.The cast includes Richard S. Castellano, Gig Young, Cloris Leachman, Anne Jackson, Bea Arthur, Bonnie Bedelia, Michael Brandon, Harry Guardino, Anne Meara, Bob Dishy, Marian Hailey, Joseph Hindy, and, in her film debut, Diane Keaton.
The film was reviewed by C. A. Lejeune in The Observer of 10 January 1937 when she said that it "was a bit slow in getting started, but once the extra characters of the early scenes are dropped and the film gets the two leading players alone in their Kentish farmhouse, it becomes a hair-raiser of the first order." She concluded that, "Ann ...