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The Klon Centaur is an overdrive pedal made by the American engineer Bill Finnegan between 1994 and 2008. Finnegan aimed to create a pedal that would recreate the harmonically rich distortion of a guitar amplifier at a high volume. Finnegan struggled to meet demand, and used units sold for inflated prices.
The OD-1's "overdrive" referenced the pedal's asymmetrical-clipping, tube-like distortion, [38] which stood in contrast to the brash sound of "fuzz" pedals on the market. [40] The OD-1's layout was simple—with only "Level" and "OverDrive" controls. It was an immediate success, paving the way for future compact overdrive pedals.
Numerous variations of the original RAT pedal are still being produced today; it has become one of best selling guitar effects boxes of all time, with some retailers placing it in their top-ten most-sold pedals. [2] The pedal has changed in appearance over the years, but its tone has remained largely the same.
Notable examples of distortion and overdrive pedals include the Boss DS-1 Distortion, Ibanez Tube Screamer, Marshall ShredMaster, MXR Distortion +, and Pro Co RAT. A fuzz pedal, or fuzzbox, is a type of overdrive effects unit that clips a signal until it is nearly a squarewave, resulting in a heavily distorted or fuzzy sound.
JHS Angry Charly overdrive/distortion pedal. JHS manufactures and sells pedals with a variety of effects, including the Morning Glory V4, the Muffuletta, the 3 Series, the Pulp'N'Peel V4, the Andy Timmons AT+, the Paul Gilbert PG-14, the Legends of Fuzz series, the Unicorn Univibe, the Lucky Cat, the Double Barrel V4, the 1966 Series and the Colour Box preamp.
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They created a fuzz-wah pedal that was very popular, and marketed under multiple trade names including Ibanez. During the 1970s, Ibanez became one of the company's main OEM customers. Nisshin Onpa designed and manufactured the popular TS-808/TS808 and TS9 Tube Screamers for Ibanez from 1974 until 2002, and many other devices including the FL9 ...