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In the 1930s, 'samba-canção' was the denomination applied to some sentimental tunes written for musical reviews. They were not many. Some representative sambas-canções of this kind are: No rancho fundo (1931, lyrics and music by Ary Barroso and Lamartine Babo), Na batucada da vida (1934, Ary Barroso and Luiz Peixoto") and Serra da Boa ...
Pelo Telefone (English: On the Telephone) is a song attributed to the Brazilian guitarist and composer Donga and considered to be the first samba song to be recorded in Brazil, according to records at the National Library of Brazil, [3] [4] although earlier recordings exist, such as "Samba - Em Casa da Bahiana" (1913) [5] and "Urubu Malandro" (1914).
In the late 1940s, he was a member of the samba-canção movement largely founded by his sometime creative rival, composer Ary Barroso. Other prominent Brazilian musicians of the day covered several of his songs, including Dick Farney, who famously recorded Caymmi's "Marina" (1944) in 1947. [1]
Samba (Portuguese pronunciation: ⓘ) is a name or prefix used for several rhythmic variants, such as samba urbano carioca (urban Carioca samba), [1] [2] samba de roda (sometimes also called rural samba), [3] amongst many other forms of samba, mostly originated in the Rio de Janeiro and Bahia states.
Some say his sambas had a tendency towards samba-canção. The cavaquinhos in his records had a certain choro mood, which was less percussive than usual, with the exception of his last records where Alceu Maia was the cavaquinist. As a musician, Cartola made use of many modulations, some of which were
Os Originais do Samba (meaning "The Originals of Samba") is a Brazilian samba musical group that began in the 1960s in Rio de Janeiro by percussionists from the various samba schools of Rio. [1] Their most famous member was Mussum , who was later a member of the comedy group Os Trapalhões with Renato Aragão , Mauro Gonçalves and Dedé Santana .
Música popular brasileira (Portuguese pronunciation: [ˈmuzikɐ popuˈlaʁ bɾaziˈlejɾɐ], Popular Brazilian Music) or MPB is a trend in post-bossa nova urban popular music in Brazil that revisits typical Brazilian styles such as samba, samba-canção and baião and other Brazilian regional music, combining them with foreign influences, such as jazz and rock.
Samba, samba-canção [72] Portuguese 8.8 million. ... y Para el Pueblo: Platinum (250,000) ... Latin pop, axé, samba reggae, MPB [318] Portuguese 2.4 million.