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The original Racey song did not include the "Oh Mickey, you're so fine" chant, which Basil added. [ 6 ] For years, it was rumored that the name was changed to Mickey because Basil developed a crush on the Monkees ' drummer and lead vocalist Micky Dolenz , after meeting him on the set of their film Head , for which she was the choreographer .
In 1982, her single "Mickey" achieved international success. The song is a cover of "Kitty", a 1979 release by the UK band Racey, written by Nicky Chinn and Mike Chapman and produced by the latter. The original song did not include the "Oh Mickey, you're so fine" chant, which Basil added.
Toni Basil was already a 38-year-old showbiz veteran when her bouncy hit “Mickey” was released in the U.S. in May 1982, and in many ways the song was just a blip on her dizzyingly lengthy ...
Near the end of the video, a cheerleader can be seen dancing in the crowd. This is a direct reference to the music video for "Mickey". The video (and song) ends with a segment of the I Love Lucy theme played on guitar rounding out with Ricky on accordion, followed by Ricky doing his trademark "Huah! Huah! Huah!" laugh. Dr.
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Oh Wiki, you're so fine, You're so fine you blow my mind Hey Wiki! Hey Wiki! Oh Wiki, you're so fine, You're so fine you blow my mind Hey Wiki! Hey Wiki! Hey Wiki!!! You've been here seven years, And that's a little long. You think you've got the right, But I think you've got it wrong. Why can't you say 'good try' So we can get along, Wiki!
New songs included "I Like It Like That" (the Top 30 song, not the better-known Chris Kenner song of the same name), the Bobby Rogers-led flip side "You're So Fine and Sweet", "That's What Love Is Made Of" (another 1964 hit that the group performed on the American International Pictures release, the T.A.M.I. Show that year), and "Would I Love ...
After personnel changes in 1956, The Falcons had hits for the Lu Pine Records label with the million-selling "You're So Fine" (1959), [2] and "I Found a Love" (1962). [3] The group recorded under the production wing of Robert West, who gave the group a gospel sound and recorded the singers on his own Flick label.