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[2] A week later, Jesus appeared and told Thomas to touch him and stop doubting. Then Jesus said, "Because you have seen me, you have believed; blessed are those who have not seen and yet have believed." [3] The painting shows in a demonstrative gesture how the doubting apostle puts his finger into Christ's side wound, the latter guiding his hand.
The Incredulity of Saint Thomas by Caravaggio, c. 1602. A doubting Thomas is a skeptic who refuses to believe without direct personal experience – a reference to the Gospel of John's depiction of the Apostle Thomas, who, in John's account, refused to believe the resurrected Jesus had appeared to the ten other apostles until he could see and feel Jesus's crucifixion wounds.
Caravaggio's innovations inspired Baroque painting, but the latter incorporated the drama of his chiaroscuro without the psychological realism. [dubious – discuss] The style evolved and fashions changed, and Caravaggio fell out of favour. In the 20th century, interest in his work revived, and his importance to the development of Western art ...
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In the story the Apostle Thomas is known as Doubting Thomas. [3] The work of art is a depiction of the historic event. Countless Greek and Italian painters have artistically depicted the dramatic event. Caravaggio created a notable depiction known as The Incredulity of Saint Thomas (Caravaggio). Two works of art are similar to the painting.
Basket of Fruit, c. 1595–1596, oil on canvas, Pinacoteca Ambrosiana, Milan. Caravaggio (Michelangelo Merisi or Amerighi) was born in Milan, where his father, Fermo (Fermo Merixio), was a household administrator and architect-decorator to the marquess of Caravaggio, a town 35 km (22 mi) to the east of Milan and south of Bergamo. [7]
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