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William Makepeace Thackeray (/ ˈ θ æ k ər i / THAK-ər-ee; 18 July 1811 – 24 December 1863) was an English novelist and illustrator.He is known for his satirical works, particularly his 1847–1848 novel Vanity Fair, a panoramic portrait of British society, and the 1844 novel The Luck of Barry Lyndon, which was adapted for a 1975 film by Stanley Kubrick.
The Book of Snobs is a collection of satirical works by William Makepeace Thackeray published in book form in 1848, the same year as his more famous Vanity Fair.The pieces first appeared in fifty-three weekly pieces from February 28, 1846 to February 27, 1847, as "The Snobs of England, by one of themselves", in the satirical magazine Punch.
Pages in category "Novels by William Makepeace Thackeray" The following 14 pages are in this category, out of 14 total. This list may not reflect recent changes. A.
Vanity Fair is a novel by the English author William Makepeace Thackeray, which follows the lives of Becky Sharp and Amelia Sedley amid their friends and families during and after the Napoleonic Wars.
By 1856, Thackeray was recognized as one of the masters of the English novel, and his works were appreciated with greater consideration. The influential Saturday Review, founded by Alexander Beresford Hope in 1855, considered Barry Lyndon to be the most characteristic and successful of Thackeray's works. Several of the author's colleagues ...
— William Makepeace Thackeray 17. "The most courageous act is still to think for yourself. Aloud." — Coco Chanel Related: 120 Memories Quotes About Cherished Moments in Life. Famous Quotes ...
J. A. Sutherland agreed to a degree, calling it Thackeray's worst major novel. [3] John Halperin called it "the worst book ever produced by a great novelist." [4] Jack P. Rawlins wrote that "The Virginians is a bad book — dissatisfying in the reading, acknowledged as dull and dried-up by Thackeray." [5]
Rebecca "Becky" Sharp, later describing herself as Rebecca, Lady Crawley, is the main protagonist of William Makepeace Thackeray's 1847–48 novel [note 1] Vanity Fair. She is presented as a cynical social climber who uses her charms to fascinate and seduce upper-class men. This is in contrast with the clinging, dependent Amelia Sedley, her ...