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Against Interpretation (often published as Against Interpretation and Other Essays) is a 1966 collection of essays by Susan Sontag. It includes some of Sontag's best-known works, including " Notes on 'Camp' ", "On Style" and the eponymous essay "Against Interpretation."
The cover of Against Interpretation (1966), which contains Sontag's essay "Notes on 'Camp'" is a 1964 essay by Susan Sontag that brought the aesthetic sensibility known as "camp" to mainstream consciousness. [1] [2]
Susan Lee Sontag (/ ˈ s ɒ n t æ ɡ /; January 16, 1933 – December 28, 2004) was an American writer, critic, and public intellectual.She mostly wrote essays, but also published novels; she published her first major work, the essay "Notes on 'Camp' ", in 1964.
Styles of Radical Will is a collection of essays by Susan Sontag published in 1969. Among the subjects discussed are film, literature, politics, and pornography. It is Sontag's second collection of non-fiction after Against Interpretation, which was published in 1966. [1]
Regarding the Pain of Others is a 2003 book-length essay by American writer Susan Sontag, which was nominated for the National Book Critics Circle Award. [1] [2] It was her last published book before her death in 2004.
Contra proferentem (Latin: "against [the] offeror"), [1] also known as "interpretation against the draftsman", is a doctrine of contractual interpretation providing that, where a promise, agreement or term is ambiguous, the preferred meaning should be the one that works against the interests of the party who provided the wording.
On Photography is a 1977 collection of essays by American writer Susan Sontag.The book originated from a series of essays Sontag published in The New York Review of Books between 1973 and 1977.
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