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"Triad" was written while Crosby was a member of the rock band the Byrds, who were at that time recording their fifth studio album, The Notorious Byrd Brothers. [5] The song's lyrics concern a ménage à trois and were largely inspired by the sexual freedom that Crosby enjoyed at his home in Beverly Glen in Los Angeles. [6]
Mighty Oregon" is the fight song for the University of Oregon. Written in 1915 and officially known as "The Mighty Oregon March," music was written by Albert John Perfect with words by journalism student DeWitt Gilbert. [1] Perfect led the Eugene Municipal Band in the first performance of the song on January 7, 1916. [1]
Altered chord; Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad ...
The most basic three-chord progressions of Western harmony have only major chords. In each key, three chords are designated with the Roman numerals (of musical notation): The tonic (I), the subdominant (IV), and the dominant (V). While the chords of each three-chord progression are numbered (I, IV, and V), they appear in other orders. [f] [18]
“Here We Go (Uh Oh)”: Sara Diamond, Sydney Floyd, Marisela Jackson, Courtney Jones, Carl McCormick & Kelvin Wooten, songwriters (Coco Jones) “Ruined Me”: Jeff Gitelman, Priscilla Renea ...
Powell’s journey to the NBA wasn’t easy. “The community that we’re in, the urban pocket of San Diego, a lot of people don’t really know about it or talk about it. It can be rough.
A common type of three-chord song is the simple twelve-bar blues used in blues and rock and roll. Typically, the three chords used are the chords on the tonic, subdominant, and dominant (scale degrees I, IV and V): in the key of C, these would be the C, F and G chords. Sometimes the V 7 chord is used instead of V, for greater tension.
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