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Christian funeral music (1 C, 11 P) D. Albums in memory of deceased persons (38 P) R. Requiems (1 C, 36 P) S. Songs inspired by deaths (3 C, 61 P)
The grandiose introduction to "Funeral for a Friend" and additional synthesizer parts in "Love Lies Bleeding, were performed during final overdubs and mixing at Trident Studios on an ARP 2500 synthesizer (erroneously credited as A.R.P.) by the album's engineer, David Hentschel, who, John recalled, overdubbed track after track of music and ...
A teenage tragedy song is a style of sentimental ballad in popular music that peaked in popularity in the United States in the late 1950s and early 1960s. Lamenting teenage death scenarios in melodramatic fashion, these songs were variously sung from the viewpoint of the dead person's romantic interest, another witness to the tragedy, or the dead or dying person.
The Music for the Funeral of Queen Mary comprises the March and Canzona Z. 780 [1] and the funeral sentence "Thou knowest, Lord, the secrets of our hearts" Z. 58C. It was first performed at the funeral of Queen Mary II of England in March 1695. Purcell's setting of "Thou knowest, Lord" was performed at his own funeral in November of the same ...
– Beethoven’s Funeral March No 1. The stately, mournful piece was played at the Duke of Edinburgh’s funeral in April 2021, as well as the procession to the lying in state of the Queen Mother ...
The text is one of the Anglican funeral sentences from the Book of Common Prayer. Early versions began possibly in 1672 and were revised twice before 1680. Purcell composed his last version, in a different style, for the 1695 Music for the Funeral of Queen Mary, Z. 860.
It should only contain pages that are Funeral for a Friend songs or lists of Funeral for a Friend songs, as well as subcategories containing those things (themselves set categories). Topics about Funeral for a Friend songs in general should be placed in relevant topic categories .
Funeral Blues", or "Stop all the clocks", is a poem by W. H. Auden which first appeared in the 1936 play The Ascent of F6. Auden substantially rewrote the poem several years later as a cabaret song for the singer Hedli Anderson. Both versions were set to music by the composer Benjamin Britten.