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In John's revelation the first horseman rides a white horse, carries a bow, and is given a crown as a figure of conquest, [2] [3] perhaps invoking pestilence, or the Antichrist. The second carries a sword and rides a red horse as the creator of (civil) war, conflict, and strife. [4]
Revelation 6 is the sixth chapter of the Book of Revelation or the Apocalypse of John in the New Testament of the Christian Bible. The book is traditionally attributed to John the Apostle, [1] [2] but the precise identity of the author remains a point of academic debate. [3] This chapter describes the opening of the first six of the seven seals ...
Dürer was the publisher and seller of this series, [6] and became the first artist to publish a book and create a copyright. [3] Considering the 15 woodcuts, The Four Horsemen of the Apocalypse (c. 1497–98), [7] referring to Revelation 6:1–8, [8] is often viewed as the most famous piece.
The first 4 Seals result in the Four Horsemen. Four Horsemen of the Apocalypse, an 1887 painting by Victor Vasnetsov. The Lamb is visible at the top. Preterist view. Johann Jakob Wettstein (18th century) identified the first Horseman as Artabanus, king of the Parthians who slaughtered the Jews in Babylon. [13]
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There are numerous biblical references in the lyrics. [5] A spoken portion from Revelation 6:1–2 in the King James Version [6] introduces the song. [7] The passage describes the coming of the Four Horsemen of the Apocalypse, each heralded by one of the "four beasts" first mentioned in Revelation 4:6–9.
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The first part concerns the opening of the first six seals, and tells the history of Mankind and The Four Horsemen of the Apocalypse. After a great organ passage the first seal is broken, and John describes the appearance of the white horse and its crowned rider. The rider, whom Schmidt interprets as Jesus Christ, announces the Antichrist. [3]