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Color print made by Louis Ducos du Hauron from three direct photograms, 1869 or 1870. A presentation copy of this bears an early (February?) 1870 date on the mat in DdH's handwriting. This may refer to the print date only, with the original photography possibly occurring in 1869.
A method of full-color printing is six-color process printing (for example, Pantone's Hexachrome system) which adds orange and green to the traditional CMYK inks for a larger and more vibrant gamut, or color range. However, such alternate color systems still rely on color separation, halftoning and lithography to produce printed images.
Although this was over three decades after MoMa had mounted a solo exhibition of color photographs by Eliot Porter, and a decade after MoMA had exhibited color photographs by Ernst Haas, [8] [9] [10] the tale that the Eggleston exhibition was MoMA's first exhibition of color photography is frequently repeated, [n 1] and the 1976 show is ...
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Théophile Steinlen (1859–1923), Swiss/French painter and print-maker; Juan Carlos Stekelman (1936–2015), Argentine painter and print-maker; Frank Stella (born 1936), American painter, sculptor and print-maker; Joseph Stella (1877–1946), Italian/American painter; Hedda Sterne (1910–2011), Romanian/American artist
The process is a photographic variant of chromolithography (color lithography). Because no color information was preserved in the photographic process, the photographer would make detailed notes on the colors within the scene and use the notes to hand paint the negative before transferring the image through colored gels onto the printing plates.