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The style of the painting is deliberately primitive; the large cow occupies most of the canvas, in a greenish background, which seems to represent her pasture. The cow appears unusually large, in a brownish-yellow colour. Her eyes and nose seems also very big. The title of the painting is an ironic reference to that particular feature. [4]
The historian and critic Barbara Rose interpreted Cow Wallpaper as a commentary on the nature of art collecting and the character of the institutions where art is displayed. In a review of Warhol's 1971 retrospective show at the Whitney , she observed that cows are a common subject of genre paintings that people display in their homes, and that ...
CowParade is an international public art exhibit that has featured in major world cities. Fiberglass sculptures of cows are decorated by local artists, and distributed over the city centre, in public places such as train stations, important avenues, and parks.
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The earliest pieces in the modern sense as public art date from ca. 1870s America, created by Caroline Shawk Brooks, a farm woman from Helena, Arkansas. [1] The heyday of butter sculpturing was about 1890–1930, [ 1 ] but butter sculptures are still a popular attraction at agricultural fairs, banquet tables and as decorative butter patties.
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