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The history of the Armenian duduk music is dated to the reign of the Armenian king Tigran the Great, who reigned from 95 to 55 B.C. [20] According to ethnomusicologist Dr. Jonathan McCollum, the instrument is depicted in numerous Armenian manuscripts of the Middle Ages, and is "actually the only truly Armenian instrument that's survived through ...
The zurna, like the duduk and kaval, is a woodwind instrument used to play folk music. The zurna is made from the slow-growing and hardwood of fruit trees such as plum or apricot (Prunus armeniaca). There are several different types of zurnas. The most typical is the Armenian zurna.
The blul (Armenian: բլուլ) is an open end-blown shepherd's flute traditionally played in Armenia and similar in structure to the kaval. [2] It is made of either reed or apricot wood and has eight playing holes, including seven finger holes and one thumb hole. The resulting sound is diatonic, the timbre is described as soft and velvety. [6]
Djivan Gasparyan (var. Jivan Gasparyan; [1] Armenian: Ջիվան Գասպարյան, Armenian pronunciation: [dʒiˈvɑn ɡɑspɑɾˈjɑn]; 12 October 1928 – 6 July 2021) [1] [2] [3] was an Armenian musician and composer. He played the duduk, a double reed woodwind instrument related to the orchestral oboe. Gasparyan is known as the "Master ...
Armenian folk music is a genre of Armenian music. [1] [2] [3] It usually uses the duduk, the kemenche, and the oud.It is very similar to folk music in the Caucasus [citation needed] and shares many similar songs and traditions with countries around Armenia, namely Georgia and Azerbaijan.
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The most known Armenian traditional instrument is the Ծիրանափող, meaning apricot flute, also known as duduk (pronounced or doo-dook). Modern day Armenian artists have incorporated folk music into more modern jazz and rock genres so that the traditional music still influences their creations, such as Zartong a late 70's Armenian ...
There are many instruments similar to the mey in Eurasia. These include the European aulos and douçaine , the Azerbaijani/Iranian balaban, the Uyghur balaman, the Dagestani yasti balaban, the Georgian duduki, the Armenian duduk, the Japanese hichiriki, the Korean piri, the Chinese guanzi and houguan, the Kyrgyz kamis sirnay, and the Cambodian pey au.