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A musician who plays any instrument with a keyboard. In Classical music, this may refer to instruments such as the piano, pipe organ, harpsichord, and so on. In a jazz or popular music context, this may refer to instruments such as the piano, electric piano, synthesizer, Hammond organ, and so on. Klangfarbenmelodie (Ger.)
The relative volumes (loudness and softness) in the execution of a piece of music. Music with sudden changes in dynamics can be harder to mix in a live setting. To prevent sudden bursts of high volume, audio engineers can manually "ride the faders" (and rapidly decrease sudden loud parts, or use compression effects. DX-7
"In the Gloaming" is an 1877 British song composed by Annie Fortescue Harrison with lyrics taken from a poem by Meta Orred.Orred's poem (of the same title as the song) appeared in her 1874 book Poems. [1] "
change: Any change, such as to a new instrument Da Capo (al fine) from the beginning (to the "fine") Abbreviated as D.C., informs the performer to go back to the beginning (capo) (finishing where the part is marked fine). Dal Segno: from the sign: Abbreviated as D.S., informs the performer to repeat a specific section marked by a sign (segno ...
In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
Harmonic contrast means to have a change in keys or chords or even cadences. Contrast is not only a way of adding interest, and difference in a song, but is essential to the aesthetic illusion of dramatic resolution of conflict. [2] Contrast is a sector that provides a sub-conscious break to absorb the material from the main expository piece.
A song originally recorded for Tina Turner’s hit 1980s album “Private Dancer” and thought to be lost has been rediscovered after four decades.
The song was a hit for Lauder in both his music hall shows and his 1912 recording. It has been recorded numerous times since, including an updated version by Bing Crosby and Rosemary Clooney in their 1965 album That Travelin' Two-Beat .