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40.1 in x 32.4 in (101.9 cm x 82.3 cm) The seated woman wears a "Watteau style" dinner gown with low-cut neckline, snug bodice, and frilled half-length sleeves; Her outfit was accessorized with a dark hat and yellow/orange shawl. SIRIS Collection Number 36120281 [3] Eleanor Holding a Shell (or Eleanor Holding a Shell, North Haven, Maine) oil on ...
Detail of the dog Jan van Eyck's The Arnolfini Wedding (1434). Generally, dogs symbolize faith and loyalty. [11] A dog, when included in an allegorical painting, portrays the attribute of fidelity personified. [12] In a portrait of a married couple, a dog placed in a woman's lap or at her feet can represent marital fidelity.
The art historian Svetlana Alpers suggests that, by portraying the artist at work in the company of royalty and nobility, Velázquez was claiming high status for both the artist and his art, [65] and in particular to propose that painting is a liberal rather than a mechanical art. This distinction was a point of controversy at the time.
The Woman With A Dog belongs to Fragonard's Figures de Fantaisie (Fantasy Figures) series, with artworks often painted within an hour. While some elements such as the hairstyle, pearls, or the blue and pink colors correspond to the Rococo style, the dress itself is in a 16th/17th-century style, and has been compared to Rubens' portraits of Marie de Médici or Anne of Austria.
Bather with a Griffon Dog is an 1870 oil-on-canvas painting by French artist Pierre-Auguste Renoir. The painting features his lover and model Lise Tréhot (1848-1922). [1] The work was exhibited at the 1870 Salon. The painting is held in the collection of the São Paulo Museum of Art. [2]
A Woman Wading in a Pool (Callisto in the Wilderness) 1654: Oil on panel: 61.8 x 47: National Gallery, London: 229: Oil Study of an Old Man with a Red Hat: c. 1654: Oil on canvas: 52.4 x 37: Gemäldegalerie, Berlin: 230: The painting is covered by a disturbing layer of darkened varnish Bathsheba at her Toilet: 1654: Oil on canvas: 142 x 142 ...
His painting of Sir Thomas More (1527), his first important patron in England, has nearly the realism of a photograph. [33] Holbein made his great success painting the royal family, including Henry VIII. Dürer was an outstanding draftsman and one of the first major artists to make a sequence of self-portraits, including a full-face painting.