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In a wayang kulit performance, the puppet figures are rear-projected on a taut linen screen with a coconut oil (or electric) light. The dalang (shadow artist) manipulates carved leather figures between the lamp and the screen to bring the shadows to life. The narratives of wayang kulit often have to do with the major theme of good vs. evil.
Bambangan Cakil (Javanese: ꧋ꦧꦩ꧀ꦧꦔꦤ꧀ꦕꦏꦶꦭ꧀) is a classical dance-drama [1] of the Javanese people in—particularly—Central Java, Indonesia. [2] This dance-drama demonstrates wayang performance due to the movement is adopted from one of the scenes in wayang kulit performance, that is the Perang Kembang scene. [3]
Panakawan (right) accompanied their masters in a traditional wayang wong theater performance in Yogyakarta. September 1923. Panakawan in wayang kulit, from left to right: Bagong, Petruk, Gareng, and Semar. In Javanese wayang, the panakawan (Javanese: ꦥꦤꦏꦮꦤ꧀) [1] or punakawan (ꦥꦸꦤꦏꦮꦤ꧀) [2] are the
In this wayang golek show, as with other wayang shows, plays and stories are played by a puppeteer. The difference is the language in the dialogue that is brought is Sundanese. The standard and the wayang golek are also the same as wayang kulit, for example in the Ramayana and Mahabharata stories. But the difference is in the character of the ...
The wayang kulit performance by the Indonesian notable dalang (puppet master) Manteb Soedharsono, with the story "Gathutkaca Winisuda", in Bentara Budaya Jakarta, to commemorate the anniversary of the Kompas daily. The dhalang or dalang (Javanese: ꦝꦭꦁ, romanized: dhalang; [1] Indonesian: dalang) is the puppeteer in an Indonesian wayang ...
Wayang style is a style of puppetry influenced by the Indonesian wayang kulit, in which human figures and those that are supernatural are depicted as flat and very two-dimensional - hence the name wayang, meaning "shadow" [1]). This style was commonly used in East Java during the Majapahit Empire, which lasted from about 1293 AD to around 1500 AD.
Wayang kulit (the leather shadow puppet), Wayang klitik (the flat wooden puppet), Wayang golek (the three-dimensional wooden puppet), Wayang wong (the human-form wayang theatre) This article is a part of the series on
'tree') [2] or kayonan in Bali, is a figure in the Indonesian theatrical performance of wayang e.g. wayang kulit, wayang klitik, wayang golek, and wayang beber. The gunungan is a conical or triangular structure (tapered peak) inspired by the shape of a mountain .