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The adventures of Billy and Blaze revolve around proper care of the horse, while teaching a lesson. Anderson would go to great lengths to give accurate information. He would even go on to write Heads Up, Heels Down as a training tool for young horse lovers. All of the stories Anderson wrote would be based on true stories or people that he knew ...
WS; collage of past prints; double print: 6 Dec 1890: Mr Howard John Kennard: Beggar General to the Metal Trades: Lib: M 0491: 13 Dec 1890: Sir Roland Vaughan Williams: The Mandarin: Quiz: J 30: 20 Dec 1890: Mr WH Grenfell: Taplow Court: Spy: M 0492: 27 Dec 1890: Mr Joseph Henry Houldsworth: The new Steward: Spy: M 0493: 3 Jan 1891: Sir P ...
Created in 1973, the BCA collection includes 130,000 original drawings by 350 different cartoonists, plus some 90,000 cuttings, and a library of books and magazines. Its website gives free access to its holdings, including a fully searchable catalogue of 200,000 cartoon images.
The publication name was changed to Ballou's Pictorial Drawing-Room Companion for 1855, after managing editor Maturin Murray Ballou bought out the interest of Gleason. The first issue as Ballou's was 6 January 1855. The magazine absorbed the Illustrated News of New York in 1853. It ceased publication in 1859. [1]
The Art of the Bird: The History of Ornithological Art Through Forty Artists. Chicago: University of Chicago Press. ISBN 978-0-226-67505-3. McGhie, Henry A (2017). Henry Dresser and Victorian Ornithology: Birds, Books and Business. Manchester: Manchester University Press. ISBN 978-1-78499-413-6. Noakes, Vivien (1986). Edward Lear, 1812–1888 ...
The first print run of 2,000 was sold in the United States, rather than England, because Tenniel objected to the print quality. [20] A new edition was released in December 1865, carrying an 1866 date, and became an instant best-seller, increasing Tenniel's fame. His drawings for both books have become some of the most famous literary illustrations.
Richard "Dickie" Doyle (18 September 1824 – 10 December 1883) [1] was a British illustrator of the Victorian era.His work frequently appeared, amongst other places, in Punch magazine; he drew the cover of the first issue, and designed the magazine's masthead, a design that was used for over a century.
Jemima Blackburn was a keen observer of bird behaviour, as evidenced by her writings. She describes the ejection of nestling meadow pipits (Anthus pratensis) by a blind and naked hatchling common cuckoo (Cuculus canorus), accompanied by a small drawing.