Search results
Results From The WOW.Com Content Network
This line includes a masculine caesura after θεὰ, a natural break that separates the line into two logical parts. Homeric lines more commonly employ feminine caesurae; this preference is observed to an even higher degree among the Alexandrian poets. [3] An example of a feminine caesura is the opening line of the Odyssey:
A hexameter line can be divided into six feet (Greek ἕξ hex = "six"). In strict dactylic hexameter, each foot would be a dactyl (a long and two short syllables, i.e. – u u), but classical meter allows for the substitution of a spondee (two long syllables, i.e. – –) in place of a dactyl in most positions. Specifically, the first four ...
In modern terms, a caesura is a natural break which occurs in the middle of a foot, at the end of a word. This is contrasted with diaeresis, which is a break between two feet. In dactylic hexameter, there must be a caesura in each line, and such caesuras almost always occur in the 3rd or 4th foot. There are two kinds of caesura:
The Latin rhythmic hexameter [1] or accentual hexameter [2] is a kind of Latin dactylic hexameter which arose in the Middle Ages alongside the metrical kind. The rhythmic hexameter did not scan correctly according to the rules of classical prosody; instead it imitated the approximate sound of a typical metrical hexameter by having roughly the same number of syllables and putting word accents ...
The most famous and widely used line of verse in English prosody is the iambic pentameter, [7] while one of the most common of traditional lines in surviving classical Latin and Greek prosody was the hexameter. [8] In modern Greek poetry hexameter was replaced by line of fifteen syllables. In French poetry alexandrine [9] is the most typical ...
While the above classical hexameter has never enjoyed much popularity in English, where the standard metre is iambic pentameter, English poems have frequently been written in iambic hexameter. There are numerous examples from the 16th century and a few from the 17th; the most prominent of these is Michael Drayton's Poly-Olbion (1612) in ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
In poetry, a hendecasyllable (as an adjective, hendecasyllabic) is a line of eleven syllables.The term may refer to several different poetic meters, the older of which are quantitative and used chiefly in classical (Ancient Greek and Latin) poetry, and the newer of which are syllabic or accentual-syllabic and used in medieval and modern poetry.