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In music, a catch is a type of round or canon at the unison. That is, it is a musical composition in which two or more voices (usually at least three) repeatedly sing the same melody, beginning at different times. Generally catches have a secular theme, though many collections included devotional rounds and canons.
A Golden Lullaby − Unison song for voices and piano (1920) Sing lullaby for SATB unaccompanied (1920) O Lord, Who Createst Man − 3-part song for female voices and piano (1923) When First Thine Eyes Unveil for SATB & Organ (1925) My Eyes For Beauty Pine for SATB & Organ (1925) Tune thy Music − Unison song for voices and piano (1927)
The Canterbury scene (or Canterbury sound) is a musical scene that originated in the city of Canterbury, Kent, England during the late 1960s and early 1970s. [1] Associated with progressive rock , [ 2 ] the term describes a loosely-defined, improvisational style that blended elements of jazz , rock , and psychedelia .
4 Chamber music. 5 Piano music. 6 Organ music. ... The Canterbury Pilgrims (1883, perf. 1884) ... Bible Songs for Unison choir (Op 113) (1909)
This category lists articles related to the Canterbury sound. The Canterbury scene (or Canterbury Sound) is a term used to loosely describe the group of progressive rock, avant-garde and jazz musicians, many of whom were based around the city of Canterbury, Kent, England during the late 1960s and early 1970s, but who have continued to make music since.
Director of the Royal School of Church Music 1954-1973. ... Accompaniments for unison Hymn-singing. 1971; ... of Canterbury Cathedral 1937–1953
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In orchestral music unison can mean the simultaneous playing of a note (or a series of notes constituting a melody) by different instruments, either at the same pitch; or in a different octave, for example, cello and double bass (all'unisono). Typically a section string player plays unison with the rest of the section.