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Gaul Indonesian or Colloquial Indonesian is the informal register of the Indonesian language that emerged in the 1980s and continues to evolve to this day. According to the Great Dictionary of the Indonesian Language (KBBI), colloquial language is defined as 'a non-formal dialect of Indonesian used by certain communities for socialization'.
Indonesian slang vernacular (Indonesian: bahasa gaul, Betawi: basa gaul), or Jakarta colloquial speech (Indonesian: bahasa informal, bahasa sehari-hari) is a term that subsumes various urban vernacular and non-standard styles of expression used throughout Indonesia that are not necessarily mutually intelligible.
Not every plot has a twist, but some have multiple lesser ones, and some are defined by a single major twist. Since the effectiveness of a plot twist usually relies on the audience's not having expected it, revealing a plot twist to readers or viewers in advance is commonly regarded as a spoiler. Even revealing the fact that a work contains ...
A plot twist is a literary technique that introduces a radical change in the direction or expected outcome of the plot in a work of fiction. Plot twist may also refer to: "Plot Twist" (Sigrid song) "Plot Twist" (TWS song) "Plot Twist", a song by Marc E. Bassy
When I saw the existance of two articles, one for plot twists and one for twist endings, I found it strange. The twist ending article does say that a twist ending is the conclusive form of plot twists, so if they have such a close relation, maybe the articles should be merged, with the explanation of the plot twist and later the twist ending.
A log line or logline is a brief (usually one-sentence) summary of a television program, film, short film or book, that states the central conflict of the story, often providing both a synopsis of the story's plot, and an emotional "hook" to stimulate interest. [1] A one-sentence program summary in TV Guide is a log line. [2] "
A narrative work beginning in medias res (Classical Latin: [ɪn ˈmɛdɪ.aːs ˈreːs], lit. "into the middle of things") opens in the chronological middle of the plot, rather than at the beginning (cf. ab ovo, ab initio). [1] Often, exposition is initially bypassed, instead filled in gradually through dialogue, flashbacks, or description of ...
Twist (ten): the story turns toward an unexpected development. This is the crux of the story, the yama ( ヤマ ) or climax. If the narrative takes several turns, this is the biggest one.