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During this period, the statue was widely interpreted as representing a defeated gladiator, rather than a Galatian warrior. Hence it was known as the "Dying" or "Wounded Gladiator", "Roman Gladiator", and "Murmillo Dying". It has also been called the "Dying Trumpeter" because one of the scattered objects lying beside the figure is a horn.
Religious art was also a major form of Roman sculpture. A central feature of a Roman temple was the cult statue of the deity, who was regarded as "housed" there (see aedes). Although images of deities were also displayed in private gardens and parks, the most magnificent of the surviving statues appear to have been cult images.
The Ludovisi Gaul (sometimes called "The Galatian Suicide") is an ancient Roman statue depicting a Gallic man plunging a sword into his breast as he holds up the dead body of his wife. This sculpture is a marble copy of a now lost Greek bronze original. The Ludovisi Gaul can be found today in the Palazzo Altemps in Rome. This statue is unique ...
The headless statue in Thomas Cole's 1836 painting Destruction (the fourth painting in his The Course of Empire series) is based on the Borghese warrior. [10] The pose of Phineas in Luca Giordano's c. 1660 painting Perseus turning Phineas and his Followers to Stone in the National Gallery, London appears to mirror the Borghese Gladiator. [11]
The famous Roman copy of the original Greek sculpture The Dying Gaul depicts a wounded Gaulish warrior naked except for a torc, which is how Polybius described the gaesatae, Celtic warriors from modern northern Italy or the Alps, fighting at the Battle of Telamon in 225 BC, although other Celts there were clothed. [10]
Version of the statue in 1870 with a staff in his left hand. Augustus is shown in his role of imperator, the commander of the army, as thoracatus —or commander-in-chief of the Roman army (literally, thorax-wearer)—meaning the statue should form part of a commemorative monument to his latest victories; he is in military clothing, carrying what may have been a spear [3] or a consular baton ...