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Claude Lorrain mirror in shark skin case. A Claude glass (or black mirror) is a small mirror, slightly convex in shape, with its surface tinted a dark colour. Bound up like a pocket-book or in a carrying case, Claude glasses were used by artists, travelers and connoisseurs of landscape and landscape painting.
View of a frame-maker's workshop, oil on canvas, circa 1900 The elaborate decoration on this frame may be made by adhering molded plaster pieces to the wood base.. A picture frame is a container that borders the perimeter of a picture, and is used for the protection, display, and visual appreciation of objects and imagery such as photographs, canvas paintings, drawings and prints, posters ...
In addition, the M3 on different pedestal mounts was mated to a number of other vehicles, resulting in an assortment of 37 mm gun motor carriages. Only the M6 reached mass production. 37 mm gun motor carriage T2 (Bantam jeep). [50] 37 mm gun motor carriage T8 (Ford 4x4 "Swamp Buggy"). [51] 37 mm gun motor carriage T13, T14 (Willys 6x6 "Super ...
A convex mirror diagram showing the focus, focal length, centre of curvature, principal axis, etc. A convex mirror or diverging mirror is a curved mirror in which the reflective surface bulges towards the light source. [1] Convex mirrors reflect light outwards, therefore they are not used to focus light.
The work of art itself is in the public domain for the following reason: Public domain Public domain false false The author died in 1927, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 95 years or fewer .
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In the case of two mirrors, in planes at an angle α, looking through both from the sector which is the intersection of the two halfspaces, is like looking at a version of the world rotated by an angle of 2α; the points of observations and directions of looking for which this applies correspond to those for looking through a frame like that of ...
Verre églomisé [vɛʁ e.ɡlɔ.mi.ze] is a French term referring to the process of applying both a design and gilding onto the rear face of glass to produce a mirror finish. The name is derived from the 18th-century French decorator and art-dealer Jean-Baptiste Glomy [1] (1711–1786), who was responsible for its revival.