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The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
Every time I feel the Spirit moving in my heart I will pray. Yes, every time I feel the Spirit moving in my heart I will pray Verse 1 Upon the mountain, my Lord spoke, out his mouth came fire and smoke. All around me, looks so shine, ask my Lord if all was mine. [Refrain] Verse 2 Jordan River, runs right cold, chills the body not the soul.
Alvin Ailey made "Rocka My Soul in the Bosom of Abraham" [4] the music for the triumphant finale of his internationally known choreography Revelations, which was born out of the choreographer's "blood memories" of his childhood in rural Texas and attending the Baptist Church with his mother. [5]
Got You On My Mind Once Again (co-written with Jimmy Fields and Lefty Frizzell) Goin' Steady ( Faron Young Classic) It was found out some years ago by Colin Escott (Hank Williams' Biographer) that Hank actually wrote the song and sold it to Faron.
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John Watson Jr. (February 3, 1935 – May 17, 1996), [3] often known professionally as Johnny "Guitar" Watson, was an American musician.A flamboyant showman and electric guitarist in the style of T-Bone Walker, his recording career spanned 40 years, and encompassed rhythm and blues, funk and soul music.
"Tell Out, My Soul" fits the metre 10.10.10.10, and it was originally published in 1965 in The Anglican Hymn Book, set to the tune Tidings by William Llewellyn.In 1966, the hymn was included in the Evangelical Anglican hymnal Youth Praise, set to a tune by Michael Baughen, Go Forth. [9]
After the release on April 17, 1961, "Heart and Soul" reached number 18 on the Billboard Hot 100 in July of that year, making this song The Cleftones' most popular work. In 1959, the Cleftones' manager, George Goldner , convinced the group that their future resided in re-recording existing songs with an established popularity. [ 3 ]