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Weil and Mann were based at Aldon Music, located at 1650 Broadway, New York City, and the song as written by Mann/Weil was originally recorded by the Cookies (although the Crystals' version beat them to release) and featured an upbeat lyric in which the protagonist is still on her way to Broadway and sings "I got to get there soon, or I'll just die".
The lyrics he sings describe everyday and comforting things associated with friends or “company:” Robert's solo segues into the couples reiterating their endearments at length, making appointments with “Robert, Bobby, Robbie darling” for concerts, blind double dates, the opera, exclaiming in chorus the questions and, simultaneously ...
Pages in category "Broadway composers and lyricists" The following 200 pages are in this category, out of approximately 245 total. This list may not reflect recent changes .
The original Broadway production played in 1961–62. [ 3 ] The musical was inspired by an article about subway homelessness in the March 1956 issue of Harper's magazine and a subsequent 1957 book based on it, both by Edmund G. Love , who slept on subway trains throughout the 1950s and encountered many unique individuals.
They Call the Wind Marīa" (/ m ə ˈ r aɪ. ə / mə-RY-ə) is an American popular song with lyrics written by Alan J. Lerner and music by Frederick Loewe for their 1951 Broadway musical Paint Your Wagon, which is set in the California Gold Rush.
"New York, New York" is a song from the 1944 musical On the Town and the 1949 MGM musical film of the same name. The music was written by Leonard Bernstein and the lyrics by Betty Comden and Adolph Green. A well known line of this song is: New York, New York, a helluva town. The Bronx is up but The Battery's down.
"Broadway Sam" music by Leo Edwards; lyrics by Blanche Merrill "Broadway School Days" from The Passing Show of 1916 "Broadway Serenade (For Every Lonely Heart)" (from Broadway Serenade) "The Broadway Show" by Ludwig Englander; lyrics by J. Clarence Harvey and Sydney Rosenfeld "Broadway (So Many People)" by Low
The lyrics salute the nightlife of Broadway and its denizens, who "don't sleep tight until the dawn." The song was introduced by Wini Shaw in the musical film Gold Diggers of 1935 , [ 1 ] and, in an unusual move, it was used as background music in a sequence in the Bette Davis film Special Agent that same year.