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Waves' L1 Ultramaximizer, released in 1994, became a prominent plugin, with some publications pointing to it as contributing to the "loudness war" behind modern music mastering. [6] Record producer Tony Maserati said of early Waves software, "[they] were the only plugins [that were] quality and they were creative."
SoundGrid is a networking and processing platform audio application made by Waves Audio and developed in cooperation with DiGiCo. [1]It consists of a Linux-based server that runs the SoundGrid environment, compatible plug-ins, a Mac or Windows control computer, and an audio interface for input/output (I/O).
Ardour relies on plug-ins for many features, from audio effects processing to dynamic control. It supports the following plugin format and platform combinations: [12] LV2 on Linux, FreeBSD, macOS and Windows; Audio Units on macOS; Steinberg's VST2 on Linux, macOS and Windows; LADSPA on Linux, FreeBSD, macOS and Windows.
The program used to dynamically load audio plug-ins is called a plug-in host. Example hosts include Bidule, Gig Performer, Mainstage, REAPER, and Sonic Visualiser.Plug-ins can also be used to host other plug-ins. [4] Communication between host and plug-in(s) is determined by a plug-in application programming interface ().
VST for Windows also supported Active Movie compatible plug-ins. Cubase Audio VST 3.5 + Wavelab 1.6 + Waves AudioTrack was bundled in the first "Producer Pac". This version is native Windows 95 code + is the first version of Cubase for Windows that is incompatible with Windows 3.11. Cubase VST 3.5.5 for Windows 95: 1998
WaveLab is a digital audio editor and recording computer software application for Windows and macOS, created by Steinberg. WaveLab was started in 1995 and it is mainly the work of one programmer, Philippe Goutier. [1] Audio can be edited as a single file, a series of files or a multitrack "montage".
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Diamond Cut Audio Restoration Tools (DC-Art) was originally a private venture by R&D engineer Craig Maier and software engineer Rick Carlson. Developed in the early 1990s, the original concept was conceived in an attempt to preserve the extensive Edison Lateral collection of test pressing recordings held at the Edison National Historic Site in West Orange, New Jersey.