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Abol Atighetchi uses combination of colored naskh, suluth and kufic style calligraphy with large letters in a single large format acrylic painting for his work presentation and circles in gold leaf or simple color to decorate but in the Nastaligh style many colorful geometrical forms and lines are used to modernize the painting and the same technique is used to modernize the large format birds ...
Mehdi Saeedi is also featured in various world valid publications and collections that among them are: [18] Learn World Calligraphy that offers a unique glimpse of scripts worldwide and the calligraphers who write them and Covering nearly all of the world's writing systems, New Masters of Poster Design [19] that features around 30 top poster ...
1 Old time Persian calligraphers. 2 Contemporary Iranian calligraphers. 3 See also. ... Download as PDF; Printable version; In other projects Wikidata item; Appearance.
Sarir was created by studying the form and space and Iranian calligraphy methods, especially classical Shekasteh Nastaʿlīq script, Chinese script, and Gothic script. Sarir can easily overcome some limitations of traditional Iranian calligraphy because in this new way of calligraphy, all angles of the pen can be used.
Median man in Persepolis Persian realist Gouache painting of the Qajar dynasty and soldiers in 1850-1851. The arts of Iran are one of the richest art heritages in world history and encompasses many traditional disciplines including architecture, painting, literature, music, weaving, pottery, calligraphy, metalworking and stonemasonry.
Persian art or Iranian art (Persian: هنر ایرانی, romanized: Honar-è Irâni) has one of the richest art heritages in world history and has been strong in many media including architecture, painting, weaving, pottery, calligraphy, metalworking and sculpture.
The taʿlīq (Persian: تعلیق, lit. 'hanging') script is a calligraphic hand in Islamic calligraphy typically used for official documents written in Persian.Literally meaning hanging or suspended script it emerged in the mid-13th century and was widely used, especially in chanceries of Iranian states, although from the early 16th century onward it lost ground to another hanging script, the ...
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