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A wallpaper group (or plane symmetry group or plane crystallographic group) is a mathematical classification of a two-dimensional repetitive pattern, based on the symmetries in the pattern. Such patterns occur frequently in architecture and decorative art , especially in textiles , tiles , and wallpaper .
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art , non-figurative art , non-objective art , and non-representational art are all closely related terms.
Duane Hanson, Woman Eating, polyester resin, fiberglass, polychromed in oil paint with clothes, table, chair and accessories, Smithsonian American Art Museum, 1971 ...
Shutterstock, Inc. is an American provider of stock photography, stock footage, stock music, and editing tools; [4] it is headquartered in New York. [5] Founded in 2002 by programmer and photographer Jon Oringer, [6] Shutterstock maintains a library of around 200 million royalty-free stock photos, [7] vector graphics, and illustrations, [8] with around 10 million video clips and music tracks ...
Detail from Seurat's Parade de cirque, 1889, showing the contrasting dots of paint which define Pointillism. Pointillism (/ ˈ p w æ̃ t ɪ l ɪ z əm /, also US: / ˈ p w ɑː n-ˌ ˈ p ɔɪ n-/) [1] is a technique of painting in which small, distinct dots of color are applied in patterns to form an image.
In 1928, Time magazine wrote of her paintings, "when Georgia O'Keeffe paints flowers, she does not paint fifty flowers stuffed into a dish. On most of her canvases there appeared one gigantic bloom, its huge feathery petals furled into some astonishing pattern of color and shade and line."
Example of mirror anamorphosis. There are two main types of anamorphosis: perspective (oblique) and mirror ().More complex anamorphoses can be devised using distorted lenses, mirrors, or other optical transformations.
Georges Seurat, Study for "A Sunday Afternoon on La Grande Jatte", 1884, oil on canvas, 70.5 x 104.1 cm, Metropolitan Museum of Art, New York Georges Seurat painted A Sunday Afternoon between May 1884 and March 1885, and from October 1885 to May 1886, focusing meticulously on the landscape of the park [2] and concentrating on issues of colour, light, and form.