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That is, no individual speaker is identified; the narrator is a member of a group that acts as a unit. The first-person-plural point of view occurs rarely but can be used effectively, sometimes as a means to increase the concentration on the character or characters the story is about. Examples include:
A demonstration of the total omniscience where all individual characteristics (svalaksana) are available to the omniscient being. The specific demonstration of Shakyamuni Buddha's non-exclusive omniscience, but the knowledge of Shakyamuni Buddha's is really infinite and no other gods or being can match his true omniscience. [2]
In philosophy, a point of view is a specific attitude or manner through which a person thinks about something. [1] This figurative usage of the expression dates back to 1730. [ 1 ] In this meaning, the usage is synonymous with one of the meanings of the term perspective [ 2 ] [ 3 ] (also epistemic perspective ).
Point of view (literature) or narrative mode, the perspective of the narrative voice; the pronoun used in narration; Point of view (philosophy), an attitude how one sees or thinks of something; Point-of-view shot, a technique in motion photography; Point of view (pornography), a subset of gonzo pornography in which the performer also holds the ...
Inherently, because of this, most articles on Wikipedia are full of POVs. An article which clearly, accurately, and fairly describes all the major, verifiable points of view will – by definition – be in accordance with Wikipedia's NPOV policy. Each POV should be clearly labeled and described, so readers know: Who advocates the point of view
Typhoon alternates between his third-person limited point of view, the third-person limited point of view of MacWhirr, and the third-person omniscient point of view of the narrator. Jukes' absent friend, the second mate from a trans-Atlantic liner.
Narration is the use of a written or spoken commentary to convey a story to an audience. [1] Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events.
The novel is told in the third-person omniscient point of view. [6] According to Italian writer Alberto Arbasino, Federico Fellini's film 8½ (1963) used similar artistic procedures and had parallels with Musil's novel. [7]