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The International Salsa Museum (ISM) is a museum in development in New York City dedicated to preserving and celebrating the history, evolution, and global impact of salsa music and dance. [ 1 ] [ 2 ] It has garnered support from the estates of salsa icons Tito Puente and Celia Cruz , as well as many other musicians, dancers, choreographers ...
It is widely cited as the birthplace of salsa music, or at least of the popular use of the term "salsa" to denote pan-Latin music brewing in New York City. On Thursday, August 26, 1971, the Fania All-Stars headlined the club and drew an overflowing and excited crowd [ 27 ] [ 28 ] that was later captured on film as Our Latin Thing .
Latin Quarter (also known later on as The LQ) was a nightclub in New York City. [1] [2] The club originally opened in 1942 and featured big-name acts. In recent years, it had been a focus of hip hop, reggaeton and salsa music. Its history is similar to that of its competitor, the Copacabana.
The Department of Cultural Affairs (DCLA), a branch of the government of New York City, is the largest public funder of the arts in the United States.DCLA's funding budget is larger than that of the National Endowment for the Arts, the federal government's national arts funding mechanism. [16]
The Concert for New York City — October 24 Ireland U2: Elevation Tour: Garbage No Doubt Stereophonics: 55,155 / 55,155 $4,706,370 October 25 October 27 November 12 United States Aerosmith: Just Push Play Tour: The Cult: November 19 United States Bob Dylan: Never Ending Tour 2001: November 27 United Kingdom Elton John: Songs from the West ...
Since then it has presented mostly hip-hop and salsa acts. [16] On January 20, 2007, the club announced that it would have to move by July 1 because its current location was condemned due to the construction of the extension of the 7 line of the New York City Subway, as well as the construction of the now-cancelled World Product Center. [19]
The term "salsa" was coined by Johnny Pacheco in the 1960s in New York, as an umbrella term for Cuban dance music being played in the city at the time. [2] Salsa as a dance emerged soon after, being a combination of mambo (which was popular in New York in the 1950s) as well as Latin dances such as Son and Rumba as well as American dances such as swing, hustle, and tap.
Sanabria's Latin New York magazine was an English language publication. Consequently, his promoted events were covered in The New York Times, as well as Time and Newsweek magazines. [23] Sanabria confessed the term salsa was not developed by musicians: "Musicians were busy creating the music but played no role in promoting the name salsa."